It is because we compare that we are able to judge. A photograph is nothing more than a tool for comparison. When someone looks at a photograph, he compares the content with his real world information. If there is a match, many things happen : for example, the person will automatically add the colors if the image is in black and white. He will also add sounds and smells if the scene and objects are familiar. Finally, the viewer will add a context to make sense of the content. However, there is so much that we can add to make a photograph more familiar. That discrepancy between what is seen and what is already known is exactly what the talented photographer is looking for. The subtle balance between what you know and what is new. He creates a bridges between your personal living experience and that of an unknown person by forcing you to fill in some elements and discovering the others. If an image is too familiar, it quickly becomes boring; If it is too foreign, it has no interest : great photography exists right in between.
Paul Melcher
Paul Melcher is a veteran of the visual media world, with over 15 years of experience at the crossroads of journalism, photojournalism, and emerging technology. A longtime advocate for ethical visual storytelling, he has written extensively on the evolution of imagery, authorship, and truth in the digital age. Today, he is an expert in visual authenticity and image integrity, building forward-looking solutions that address the growing challenges of synthetic media. Paul is the founder of MelcherSystem, where he advises companies, institutions, and creatives on trust in visual content.
You May Also Like
Posted in
Corpocrates
Flipping the Switch on Democracy
Posted by
Paul Melcher
Posted in
Artificial Intelligence
When Governments Lie With Pixels
Posted by
Paul Melcher
Posted in
capa
Tearing down our icons
Posted by
Paul Melcher
Posted in
editorial
The Second Camera: Photojournalism’s Temptation
Posted by
Paul Melcher

