Every photojournalist carries two cameras: one that records light, one that records their growing certainty that they alone understand what the light means. The first camera is mechanical. Photons hit a sensor. A moment is captured. A fragment of reality, however subjective its framing, remains tethered to what occurred. The second camera is psychological. It … Read More →
The 2025-2026 trend cycle has produced a curious consensus: blur is the new watermark. Grain is proof of life. Bad framing means a human was here. Stocksy‘s just-released Visual Insights 2026 report doubles down on this thesis harder than any competitor. Under the banner “Signs of Life,” they position photography as an “antidote to digital … Read More →
There are, perhaps, three stages in one’s relationship with photography: ignorance, interest, and enthusiasm. Eric Colmet Daage lived in a fourth, an unrestrained passion. And unlike most of us, whose love for images tends to orbit one genre, Eric’s passion embraced them all: photojournalism, sports, fashion, fine art, historical archives, and documentary. If a photograph … Read More →