A visual banquet

No slightly blurry, underexposed images. No, “look at me, I took these pictures with a broken down Holga standing on one foot” pictures. No, “I am so much more important than the story I am photographing” reportage. No, “look at my Lego skills dude”. Nope.

100 % pure photojournalism. This year World Press Awards are a photojournalism feast with a buffet of the highest quality. Sure, there are more independents than agency photographers ( who cares ?)  . Sure, little Getty images in favor of much more Panos ( I wouldn’t bury Getty just yet). Sure, much more color than Black and White. But that is irrelevant. The World Press Awards is not a crystal ball.

I would question the decision of using a portrait photograph as the number one winner. Not because the image is bad nor that the subject is not worthy. Not at all. I would question it for its potential consequences. Now, every photo reporter in shorts is going to think that the best way to cover a story is to take a bunch of people, stick them in front of a white wall and declare it photojournalism. This trend  is already plagging countries like France and this might make it more universal. Regardless, that should not be the jury’s problem.

I love the slap in the face given to AFP and Getty by attributing Daniel Morel Haiti’s images a well deserved award. I am sure they considered the little girl image as a first prize for a long time.

Not sure, finally, about the Google Street award. Isn’t that a funny subject for a magazine to put together but really not a World Press award contender? Furthermore, aren’t we fringing on copyright infringement here ? I suppose that was the World Press jury “social media” moment.

Now, if magazines ( especially in the US)  would only have the talent to publish more stories like these, the world would be a perfect place ( well, almost). If publishers worldwide would recognize how important these images are to their publications and pay a decent price for them, that would be heaven. Until then, we can hardly say that Photojournalism is dead ( or even dying for that matter). Congrats to all the winner and a double cheer to the talented jury.  ‘Nough said :

World Press 2011

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Paul Melcher

Paul Melcher is a veteran of the visual media world, with over 15 years of experience at the crossroads of journalism, photojournalism, and emerging technology. A longtime advocate for ethical visual storytelling, he has written extensively on the evolution of imagery, authorship, and truth in the digital age. Today, he is an expert in visual authenticity and image integrity, building forward-looking solutions that address the growing challenges of synthetic media. Paul is the founder of MelcherSystem, where he advises companies, institutions, and creatives on trust in visual content.

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