Capa D Day photo

We’ve all heard the story: On June 6, 1944,  photojournalist Robert Capa embarks on the first boats scheduled to land on Ohama beach, part of Operation Overlord, the famous D- Day. Armed only with two cameras, he lands with the first US troops under heavy Nazi fire and shoots  during at least an hour and half Read More →

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As we look at the photographs that are shown to us, in print magazines, on websites or on the cell phone screens of our co-workers, we absorb a reality that is not ours. Rather than consuming photography, we are consumed by it. Image taken with cameras, whether from point and shoots or sophisticated high-end DSLR, Read More →

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The road to editorial supremacy is paved with many dangerous potholes and if Shutterstock wants to succeed in that space, it has to be ready to change the rules. The same way it has done with commercial stock. However, this time, the competition is ready and  up in arms. Surprise strategy will not work. Firepower, Read More →

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Whenever we find ourselves in a troubling situation, as a witness, we intervene. We either get physically involved or call for rescue, but either way, we do not remain passive. Photographers – photojournalists in particular- do the same, but not the same way. Lately, the actions of photojournalists witnessing troublesome situations have been, yet again, Read More →

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To understand the role of photography today, we have to understand why we take pictures. We automatically tend to associate picture-taking as an addition to our memory function since a lot of our natural visual activity is geared towards storing information for later use. However, with the advent of digital and especially mobile photography, we have Read More →

Colours

Boring. Blaaaaah. That is the first word that comes to mind when looking at the winner of the World Press Award, circa 2015. Don’t get me wrong, this year’s committee, led by Michele McNally, probably the best photo editor of our generation, was full of talent. But it was just that, a committee. And time and Read More →

camera black and white

While judges from top photojournalism competitions ( World Press, PoYi, etc) are getting ready to sit down and assume their role of gatekeepers of the true art, what is or not acceptable image alteration continues to slow burn deep inside the profession with no clear resolution in sight. Each organization, each publication, and each photographer Read More →

audience

Ever so often, the topic of the value of a photograph emerges from the bowels of online conversations. Very quickly, the conversation ends with the undisputed point that a photo should at least cover its cost. In other words, the more it costs to take a picture, the higher its value. Photographers, like any small Read More →

Fake Plastic photoshop

After reading thoroughly the David Campbell’s World Press produced report on image manipulation, one is left with one question : How opinions affect image manipulation..or is an opinion the truth. And rather than answers, guidelines, rules, code of deontology, anything that one could hope to hang on, we are left alone within the silence of Read More →

Beyond the void image

The difference is what’s missing. In fact, it is only when a photograph does not show it all that it begins to become powerful and potent. Why ? because it forcefully demands viewer participation by understanding the concept. See, the big difference between a powerful photojournalist image and commercial stock is that one misses a Read More →