Info

You are currently browsing the Thoughts of a Bohemian weblog archives for April, 2007.

April 2007
M T W T F S S
« Mar   May »
 1
2345678
9101112131415
16171819202122
23242526272829
30  
Categories

Archive for April 2007

A crack in the dent..A weekly mash up

Photo Sharing could make you sick: Read today this article about spammers using photo file sharing site as a new tool to get their annoying messages across:

Dmitri Alperovitch, principal research scientist at Secure Computing, said that instead of embedding image spam inside of e-mail messages, cybercriminals are starting to embed only a link to a photo or image they’ve put up on a photo-sharing site. Alperovitch said in an interview that this makes it a lot easier and more cost effective for the spammers, who no longer have to embed a bandwidth-sucking image in every message spammed out.

There is a mention of hackers using the same system but no explanation on how it would work. There has been attempts to embed viruses in meta data fields before and I am sure there will be more. After all, what looks more innocent than a .jpg attachment. I would imagine that the big file sharing site like Flickr and other Photobucket are monitoring the files uploaded to their servers. And I would expect they also monitor their site for spamming activities, but nevertheless, it is an interesting phenomena with a lot of ramifications.

Read the article at Information Week

Stupid but fun: The ArchCam. In a nutshell, you call a camera situated near an arch who takes a picture of you on your phone and uploads it to a website. No practical applications besides maybe amusement parks or other very “touristic-ly” challenged area. See for yourself at ArchCam.

an empty lake

Serious Help: Totally unknown in the USA but apparently popular in Europe, PhotoRetouch Digicam. A lazy photographer’s dream. For those of us tired of bloated Photoshop and its useless endless possibilities. I have yet to meet someone who actually uses all of the features of Photoshop. In the fast approaching age of artificial intelligence, the software should help you create a better image, not the opposite. I need help from my software, not more complications.This is my second favorite photo editing tool after ASP website Picknik.com.

Digital Cameras: I read a few really good articles this week about the saturation and maturity of the digicam market. For those who don’t know, digicams are digital point and shoot. Apparently, what the camera companies have been doing for the last years has been throwing as many models as possible on the market as quickly as possible for 2 purposes. Be on the market before the competition and create brand awareness, recognition and fidelity. Now that the market is saturated, Nikon, Canon, Olympus, Sony and others are finally ready to come out with the real cameras at a much slower pace. Sounds, or rather, looks very much like what the photo licensing business is going through right now.

I invented it : If I read one more blog or article about someone claiming that they invented or discovered microstock 10, 20 or 30 years ago, I will file an official complaint. Everyone, if you believe them, invented microstock back in the 1920’s but for some reason, were not very successful at it. I didn’t not invent microstock, nor did I ever had the idea for it. Now that it is here, I am very glad it is. I just wish more disruptive business models would appear in our industry at a faster pace.

No sense: Better than a James Bond story, this revealing article about US WEEKLY magazine practices. It involves celebrities, vast amounts of money, the FBI, spying, computer hacking and shady characters with unknown motives. According to them, USweekly has a “pricing email”? I worked for many many years with UsWeeekly and sold them a lot of images and never, never did we ever use an e mail. It was all done by phone. And if we did use email, it was send to the photo editors personal emails, not to an all purpose “pricing email”. You can follow the adventures of super spy in photo land at Jossip.com

Closed, shut down and out

Green Recovery, new owners of what used to be Hachette Filipacchi Photo Group ( Gamma, Rapho, Explorer, Hoa Qui,Top) have decided to shut down their New York operation. The whole staff has been laid off. It’s a very sad thing. Gamma, among others, used to be one of the 3 great photo agencies in the world, along with SIPA and SYGMA. Under Michel Bernard, Gamma-Liaison, the New York operation of Gamma, used to be a thriving operation, so much so that Getty bought it for a cool $8 million dollars at the time. They had magnificent offices on Bryant Park and were the talk of the town. Years later, Jean Pierre Laffont, with such great names as Jean Pierre Pappis ( Currently president of Polaris) and James McGrath (currently President of AtlasPressPhoto) had revived it, only to be shut down by the upper echelons of Hachette in France.

Gamma was not killed by microstocks, nor was it destroyed by Getty or Corbis. Gamma was sunk by extremely incompetent management. Following the lead of companies like Corbis, the powers at Hachette decided to put fresh out of business school CEO’s thinking that this business is the same then any old business. Committees, internal politics, fratricide, enormous amounts of red tape, bureaucracy, conservative thinking, all added up to sucking the air of a tremendous talent pool. Obsessed by saving money rather than making money, these so called leaders forgot that the only way to make a plant grow healthy is to water it frequently, not to save on the water consumption. Great photojournalism, like great celebrity imagery, is a gamble. In order to be there at the right time you have to invest time, money and resources. If you play you cards right, you get those winning shots and get back 5, 10 times your investments. You take a part of your earnings and re-invest in the next story. If you decide to play it safe and wait for these images to come to you, it will never happen.

The second major mistake these CEO did was to ignore the digital evolution of this industry. Thus they were trying, desperately, to follow it, step by step, instead of plunging into it with one big leap. Resisting change is a killer.
In short, that is what happened with Gamma. The triumph of “the suits”, those fed on business rules that cannot and will not be applied to the photography world, those who excel at meetings and self promotion, those who cannot see intelligence and talent in other people, those who couldn’t care less about the damage they leave behind. All the CEO’s of Gamma have cozy jobs today. The hard working staff of Gamma are on the street.

Don’t believe for an instant this is limited to Gamma or / and the French. Corbis would be in the same situation today if it wasn’t for the deep pockets, and apparent dedication of its sole owner.

What really bothers me is what happens to the photographers, the images, the hours of hard and dedicated work, the passion and commitment, the sleepless nights, the tormented hours, the joys and group satisfaction, the proud and irreplaceable moments, the successes and triumphs, and those very early mornings when you finally came home from work with a tired smile of victory on your face ?

To those who have spend part of there lives at Gamma New York, past and present, photographers as well as staff employees, I salute you.

A welcomed birth

While everyone is trying to find things to bury, form the death of photojournalism to the end of vertical images ( yes, I read that somewhere), in a desperate competition to be the first to announce “the end of..”, there is good news to report. The launch a new photo journalism agency. Not only that, but it is based in Algeria, instead of the traditional western hemisphere.

we are all doomed

Photojournalism has traditionally been the monopoly of a few wealthy countries, France, USA, England and Germany. Because of its fundamentally subjective perspective, we have been submerged by a very one sided vision of the world, brought to us by photographers and photo editors raised and bred in the same culture. Even wire services, who would like to be the most objective in their coverage, are either French, English, American or German. What does this say about our perspective of world events ?

NEWPRESSPHOTO , five years in the making, is a very welcome addition to photojournalism. It will bring a welcomed fresh eye to world events. Already countries like Brazil or India are starting to emerge as a pole of new, hungry, unbiased, extremely talented photographers and photo agencies who fear not the Getty’s of the world. They do not have much so they have nothing to loose. They are used to working in harsh and difficult situations. They have seldom worked on assignment with all their expenses paid thus can work with little and no resources. Unlike a lot of western hemisphere photographers, they do not become photo journalists because it’s cool and sexy but because they have something to say. They will work for pennies and spend more times on the world battlefields than on blogs.

As more and more US and European news photo agencies are shutting down, succumbing to the unbearable costs of maintaining a fleet of over fed prima donna’s with an unlimited supply of temper tantrums, lesser fortunate countries are exploding with a new generation of self taught, well trained, sharped eyed photojournalists that will soon take over this business. And it will not be a moment too late.

Chains of thought

Can an agency survive by itself anymore ? Can one create, nurture and maintain a client base of its own, like it used to be, without any fear of competition ripping through your front door and luring your precious income away ?

One of the least understood evolution generated by the digital age is that your competition can see your images too. Not only that, it can copy and replicate your images and offer the same, or even better, at a lesser price. When this business was just fed with slides and prints, it was easy to remain original as no one but your clients could see the production you offered. One of the breakthrough of royalty free was not only the simple pricing structure, but image quality, through a careful analysis of what was already being offered in the RM world. And that was done by just surfing from one site to the other. The same is actually being done today by microstock contributors as you read this.

water boat

So, the premise that you can create and maintain a niche market is a false one. As soon as you become successful, or as soon as you launch and send out that press release, you will be noticed and a competitor will try and grab a piece of the pie, if not the whole pie itself. They are no fences around your customers. There are no more fences around your production.

So you might as well go for the whole thing. Be the aggressor and not the victim. As the market is wide open, make your production wide open. Create partnerships and you too can have a global offering.

What image buyers are looking for is simplicity. The one both the internet and big companies like Getty have offered.To have a niche market made sense when real estate was part of the operating cost. The more photographers an agency represented, the more space they needed. It is not the case anymore. You can offer millions of images without ever having to pay rent.

Furthermore, since it has become so easy, cheap and, at least, in appearance, so simple to launch a photo agency, everyone does it. Well, no one has the time, nor the will to go through 15, 20, or even 30 different websites anymore to find the right image. The more the niche agencies, the more Getty will be successful. How many website do you go to before you purchase a book through Amazon.com? Do you ever go to “hardtofindbooks.com” ?

Resellers and distributors of royalty free offer 100+ different production of images coming from arch-enemy agencies while you, in your own country, you only represent yourself. Your sub-agent (what a horrible term !) represent you and 100+ of your fiercest competitors in the RM world, but you, in your country, protect and preserve your precious little niche market.

It doesn’t make any sense. No man is an island they say, nor should any photo agency be one, I add. Connect the dots for your customers because it is very doubtful that the beautiful Prince will ever come and deliver you from your endless dreams. Be part of a portal, a huge global offering. If you are, no one can copy you anymore because you are too visible and they would look too dumb. Combine your forces with that of others and share your clients with theirs. Everyone will win, except mediocrity. Fight a giant by being part of a giant.
It is better to be a cell in a giant living, healthy, thriving organism than a lonely, unhealthy dying creature with no food. Break away from what you know and how you have been doing business and put a spin to it. Stop spending your days reading and writing pompous little e mails or reading copy cat blogs with no original ideas written by some semi fired half retired executive from some obsolete photographers trade association (no, i am not referring to myself here), and look out the window. Breath in some fresh thinking.
The future resides not in opening yet another “cutting edge, top of the line” niche photo agency, be it royalty free, Microstock or RM.The future is in consolidation, in reunion, in combining forces and in simplicity. It is in breaking the chains…

The Cake and the icing

Corbis: If I see one more article praising Steve Davis for the great work he has done at Corbis published in a major US newspaper, I will stop reading newspapers. After the declining New York Times ridiculous press release, it is time for the Seattle PI to think that running a company for 10 years without a profit is a sign of intellectual prowess. And it is not if he didn’t try. Back in 1998, Corbis had announced that it would be profitable by 2000. And they said the same every year after that.(Here is an article from March 2006 saying they would be profitable in 2006). On a side note, even before taking officially his new position, Gary Shrenk, also known as Steve The Second, has fired half of the management team, in a show of respect to the old tradition set forth by his glorious predecessor. “The pope is dead, hail to the pope !”

Virginia Tech: As an old pro, I couldn’t not resist checking who would get what images from the shootings on their website. Getty took a while to get images on its website and at the end of the day ended up only with a few images taken after the actual events. WPN had the first images of the shooting or at least taken around the same time. Nothing very interesting, mostly images of policemen walking about with guns. I couldn’t check Polaris, because you need a name and password. Corbis had a edited down version of what Reuters had. After all, we all know that Reuters is really bad at editing. Atlaspressphoto had the best material and rather quickly right after Associated Press.
But really, what I wanted to see was two fold: The so called citizen journalistic reaction and if “alternative” licensing site would have anything. Flickr members took a long time to upload anything and up to now have only limited images. Bad quality, not interesting. Scoopt.com did not appear to have anything of value as they had a picture of motorcycle racing accident as the picture of the day. French multimillion dollar Eyekea had nothing. On the pro side, neither Photoshelter nor Drr had anything either.

I believe it takes more than having a camera in your hands to take pictures. Although, I am sure, the great majority of students present had cell phones with camera in them, none took a picture.I wouldn’t have either, because the difference between a pro and an amateur is that the amateur will try to save his life first, while a pro will try to take pictures first. So much for citizen journalisms. If these sites fail to carry the same images that the photo agencies have and that professional image buyers are looking for, then they are nothing more than overpriced microstock platforms.

As I have had written before, there is much more to licensing images than just slapping a price on an image and posting them for sale. You have to either create or fulfill a particular demand. It is not the quantity of images that matters, it is the quality. In so far that quality is the relevance of the image to a particular need. Bakeries do not bake million of cakes in the hope that some will sell, they bake a few that they know people will purchase.

accept, embrace and adapt

A lot has been said about those who contribute their images to microstock sites or the free photo sharing sites. A lot of bad things, mostly, said by professional photographers. But an article in the NYT of today just juggled a thought I had years back as this trend was rising. Is it really a wave of amateurs or is it the rise of a new breed of pros? What defines a pro photographer, especially in the commercial stock world? Some have studied and have a degree in photography. great, but that does not make you a good photographer. Others declare themselves pro as soon as they sold a few images. Microstockers can now say the same, big deal. I, even thought not at all a photographer, have had some of my images published. No big deal. We tend to consider a pro someone that makes a living from their craft. I know a lot of photographers who, although they try, cannot even say that. So what is, really, the difference, if any?

Maybe it is time that the magnate of the photo syndication mafia start looking much closer to what is going on rather then just smile and walk by shaking their shoulders in disdain.

Equipment and the process have become much easier to handle. What used to be a big ordeal: getting film, loading, taking 24 or 36 images, seeing the result a week later, looking at crappy 5×7, putting them in a box never to be seen again has come a long way. Now, first and foremost, you can shoot and edit immediately, and erase, and shoot again, and again. and get better.

I know a lot of photographers who never went to photography school. They learned by trial and error, just like the amateurs are doing now. You get my point.

If I was running a photo agency right now, which I am not, I would be looking and contacting all these potential talents. This is a goldmine waiting to be taken. Yes, Flickr was bought by Yahoo but no ones stops you from contacting some of the great photographers there and offering them a real job. Before Microsoft and other image buyers do it for you, while you sit there, complaining and waiving your arms up in the air. Remember, it is not Flickr that is interesting, it is the images that they host. That should tell you something.
It would be nice to see the “professional” stock photography industry lend a helping hand to all these emerging talents instead of either ignoring them or putting them down. This is, after all the new crop of professionals. Why do the NPPA, ASMP, PPA, and other self proclaimed churches of photography, not offer free classes on syndication, business affairs, 3 months trial membership ?

Why doesn’t PACA or CEPIC offer them a guide on how to choose the best representation and agency ?

Why doesn’t the so called “professional photo community” offer a helping hand to these new arrivals before they get eaten by sharks ? Because they think it will make them disappear? as in” if I ignore a problem long enough, it will cease to exist”?

I don’t think so. It is only going to become a bigger and stronger trend. And the ones that will survive this surging wave are the ones that will accept, embrace and adapt to the challenge. The others should look for another job, quickly.

It’s friday, look at pictures today

Friday is a good day. It is a good day to review the week past. And for that, the first thing I do is head straight to the week in pictures from MSNBC.com. A great place to see some of the best images of the week and also vote and compare your choice with that of thousands of non-professionals. It should be a required exercise for photo editors around the world to compare their choices with those of viewers and see if they match. It should also be a routing exercise for photographers as well and see which images are appreciated the most and try to find out why? is it subject, is it composition?

Very hard, some weeks, to decide, which one is the best, as 2 or 3 images seem to be equally strong. I tend to vote for those that took some photographer thinking. Although there are many great “lucky shots”, I am a big believer in thought photography, the kind that yield great results because you can feel the actual photographer’s work, thinking about lighting, angle, composition, where chance is less a factor than professionalism.  One of the mental tools I use is asking myself the question:”If I was in the exact same circumstance, would I be able to take the same image?”. If the answer is no, than it is a winner for me. If the answer is yes, however, I then ask myself: “would I be able to put myself in such a position? be there at the right time ?”. Because being at the right place at the right time is also a key attribute of a talented photographer.

My winners are usually the images  for which I ask myself in complete bewilderment:” How did he do that?” . Where magic is perfectly synchronize with emotion, where what is going on in the image makes me feel that I saw it with my own eyes and was deeply touched by it, whether it was happinesses, sadness, compassion, or revolt. And unlike a feature story, these single shots might not explain a whole story, but when they do, they do become stuff of legends.

Remember when you had decided to be in this business because you loved looking at pictures? Go ahead: Happy voting.

Vote with your eyes

Brian Storm Mediastorm has been nominated for the Webby Awards. “Hailed as the “Oscars of the Internet” by the New York Times, The Webby Awards is the leading international award honoring excellence on the Internet, including Websites, Interactive Advertising, Online Film & Video, and Mobile Websites.”

It is free to register to vote and anyone can do it. So, if you are like me and think that Brian Storm’s production are the future of photojournalism, drop what you are currently doing, log in to People Voice Awards , select the Broadband and Magazine category and cast your vote. It will take you no more than 5 minutes and you will feel really good about it. If you want to feel even better, inform everyone you know, post it on photo bulletin boards, make some noise.

Isn’t time you did something for the photojournalism world ?

Waiting to exhale

doors

I received numerous links to a New York Times article this morning, announcing, in a very smooth, borderline official press release, that the Chief Executor of Corbis title has officially been transfered from one lawyer to another. Must have signed a lot of papers to make this happen.

The New York Times, in a very “we are pleased to have the exclusivity therefore we will not write anything negative”, never questions the fact that during his 10 years of “leadership”, the Attila of photography, Steve Davis, has never, ever posted a profit.
After all, it is quite normal to own the rights to more than 100 million images, “including some of the most famous photographs ever” and loose money. It is also quite normal for a company older and better funded than its arch rival competitor, Getty Images, to only have 11 % of the market against 40 %. I guess these days you can trade investigative journalisms in exchange to having the right of breaking the news.

The new CEO, Gary Shank, has a lot of work ahead of him. Unfortunately, he seems to follow the school of Davis’ photo thinking by finding “ the next great group of Corbis photographers”, as he calls the ever trendy crowdsourcing elements. What is wrong with the ones they already have ? If I was a Corbis photographer, I would be highly insulted by this remark, regarding amateurs nonetheless. As in the past, Corbis has always been keen to purchase new collections after finding out they were incapable of returning a profit on the ones acquired previously. What they seem completely oblivious about is the fact that every time they buy an existing profitable agency, they also endanger the livelihood of all the photographers that once belonged to those agencies or collections. Nor do they care, it seems.

If someone with great talent and industry knowledge, more focused on what the market needs rather than trying to please internal corporate culture, would take the helm at Corbis, they could do a lot of damage. A lot. Someone needs to push the panic button now and wake up the sleeping giant. It is not too late. Wether it is Gary Shenk, who seems happier selling rights clearances, for which Corbis does not need to return any commission to anyone, that remains the big question. And will Steve Davis, in his new position of Master in the sky, senior veteran adviser, will let him? After all, if Gary succeeds in making the big C. profitable, it will really make Steve look bad. And that is an absolute “NO NO” in the corporate world.
At least, I was partly right in my predictions for 2007 .

The Mystery sale

not taken with an Holga
Mediavat. Let’s think about it for a while. WHAT HAPPENED?. No VC would invest in a company whose business plan is to sell within a year. Especially 15 Million dollars. For one year? That is what happened to Mediavast. Furthermore, no company would open an office in Amsterdam one month before selling. Would they ? would you ? and would you hire a new director of entertainments sales ? I wouldn’t.

Something doesn’t smell healthy in this deal. Actually, smells fishy to me. As I had wrote about it before, I am more and more convinced that the investors sold the company. Above and beyond the owners decision to do so. Someone got really badly on this one. and it wasn’t me. It was clearly a case where the investors, the VC’s, decided to cash in on what they thought was a juicy proposition for them.
The numbers just do not compute. Mediavast has borrowed close to 27 million US dollars form VC investments since they have started. Getty started with 30m. Getty images is now generating revenues close to 1 Billion dollars. Mediavast ? If the selling price is any indication, they must have been around $67 million a year. Medivast, like Getty, does sports, entertainment, news, commercial stock, high end portrait, has an assignment division and unlike Getty, it has a video production department. It has been a rough battle. Mediavast competed against Getty for exclusive rights, mostly in sports, and found the challenge too difficult. Yes, Wireimage finally got the contract with the NFL, but, according to well placed insiders, at a price so high that it was impossible for them to profit for it.
What happened ? Mediavast probably spent millions of dollar to make a million. But did they ever generate a profit?
I am puzzled. No one ever questioned this acquisition. Seems that Getty was able to push the executives of mediavast into a tight corner and went courting the investors. Considering that Mediavast also granted stocks to all new contributors during their first year of operation, the 200 million will be divided in a lot of different hands.

Getty not buying Jupiter Media and buying MediaVast is just another proof of the power of RM. As I said before, RM will be untouched by the growth of microstock. RF might end up devastated. Even the Flickr of the world will hardly make a dent if they ever figure out how to enter the market. Furthermore, what is Flickr and others compared with Photobucket who has more than 2 billion, (yes, billions), images on-line.
Seems to me the market has yet to understand what is really going on. RM is MUCH more profitable than RF. Yet, with the advent of Microstock and other RF companies, everyone is rushing towards simplicity, like they were caught in the headlights.
Apparently we all got it wrong.RM is where the growth is, and that is where Getty is investing. Not in RF or other short sighted, dead end, over used and abused licensing business.

Pay attention. The future is in high end quality images . RM.

Period.