Let’s face it, iconic images bother us. They stand as an immovable beacon of our time, outside of it, impelling us at every sight, forcing us to admit their status as greater than any other. Because they are a statement about our world, about us, about who we are as a society, good or bad. … Read More →
Every photojournalist carries two cameras: one that records light, one that records their growing certainty that they alone understand what the light means. The first camera is mechanical. Photons hit a sensor. A moment is captured. A fragment of reality, however subjective its framing, remains tethered to what occurred. The second camera is psychological. It … Read More →
There are, perhaps, three stages in one’s relationship with photography: ignorance, interest, and enthusiasm. Eric Colmet Daage lived in a fourth, an unrestrained passion. And unlike most of us, whose love for images tends to orbit one genre, Eric’s passion embraced them all: photojournalism, sports, fashion, fine art, historical archives, and documentary. If a photograph … Read More →
Left: Released by the Ukrainian Presidential Press Office. Right: Distributed by TASS, the Russian state news agency. One was published globally without question. The other sparked outrage when it won a prize. Both serve a narrative. Both come from official sources. But only one is called propaganda. If we’re serious about image credibility, we … Read More →
Right about 10 years ago, I wrote an article that went viral and sparked a lot of debate. At the time, AI was just starting to show the tip of its beak, and image manipulation was already in full force thanks to a variety of very potent software like Adobe’s Photoshop. The origin of the … Read More →
A popular saying tells us that a photo is worth a thousand words. But what’s the value of those words if they’re meaningless? We’ve all read articles or books that say very little. Words, even in great numbers, can be deceptively useless. The same is true of images. Yes, photos often describe faster and more … Read More →
On a TASS Agency photographer awarded for coverage of anti-Russian protests in Georgia. Photography never lies, or so we often hear. But can the same be said of the person behind the camera? This question is currently igniting debate within the photojournalism community following the award given to a photographer from TASS—Russia’s official state news … Read More →
In a world where images are omnipresent, the question of truth in photography remains as relevant as ever. As Karl Popper suggested about science, the objectivity of photojournalism does not stem from the individual photographer but from the medium itself. To paraphrase him : “It would be a mistake to believe that photographers are more … Read More →
The Pentagon, under the directive of President Donald Trump’s executive order to eliminate diversity, equity, and inclusion (DEI) initiatives, has embarked on a massive purge of archival images. Over 26,000 images across all military branches have been flagged for removal, with estimates suggesting the total could reach as high as 100,000. You might expect this … Read More →
It’s with words heavy in pain that we write these lines. Jocelyn Manfredi, the unwavering pillar of Sipa Press and photojournalism, has left us. Jocelyn was a multiple exception. A woman in a world full of macho men, she juggled multiple conversations while watching the news, in various languages, still making you feel like you … Read More →