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Archive for the Piclens Category

Search and Destroy

It’s all in the way you search. Stock photo agencies, now having reached a point where they are all pretty much offering the same content for the same prices, are desperately trying to make themselves relevant with different search engines. After all, Google’s success is made on search and not content, so why not stock photo agencies ?

Lately, Canadian based Masterfile, recipient of the A21/Superstock legacy and its assets, has just revealed a new “paradigm shift” ( don’t you just hate that overused expression?) , called “endless media”. Surely, exactly what an image buyer wants to see after doing a search is endless results. I think not. When playing around with it, it really looks like a vague combination of Brightqube’s 2 year old mosaic display idea sprinkled with a little bit of Cooliris. No shift here, just a lot of balloon air.

Steve Pidgeon explains to Selling Stock newsletter :

“The name of this toy is Endless Media, and with good reason: the primary search results are displayed as three horizontally scrollable rows of square thumbnails, presenting a seemingly endless amount of options. The style of review is up to the user. The search engine can auto-play results by scrolling and pausing at adjustable time intervals. It also allows a buyer to move back and forth with the help of buttons familiar from early cassette-player days, drag a slider to any point between the first and last screens—or even specify a “go to” position as a percentage of total. Sizes of image thumbnails can also be adjusted based on user preference.

Hovering over any thumbnail produces a small uncropped preview, and clicking on an image is where the real fun begins: Without losing the three rows of primary results, a buyer also sees a large image preview—unwatermarked for registered customers—and a series of similars.

“You did not ask for similar images, but we gave them to you without penalizing you by losing your primary search,” explains McDonald, who stresses the importance of this never-lose-your-place functionality and the ability to work both literally and laterally at the same time.”

mmm. sounds easy and simple: early cassette player, multiple options, scroll right and left, adjustable sizes, lots of similars ..and so on. But what about the core essential result expected from doing a search ? Like, finding the right image quickly and easily? Doesn’t seem like they worked on that.

While we are on the topic of search, two new image search portals have been launched recently. One in the UK, called Imprezzeo, looks for similar based on content. Nothing new here, as other companies, like Idee, have been offering this for many years. But Idee has never offered it as a global portal but rather as a plug in to existing image database.With there latest Tineye offering, they offer even more as you can now locate the exact same image, rather than similar. Not useful for a internal database but very useful for a public search. Imprezzeo seems to tap the same market, that is photo agencies, according to their “about us” page. Funny that they would consider it a segment of the industry to invest in, considering how its about to tank.imprezzeo

Another one, which is a complete surprise, is Hitachi. Yes, the same Hitachi that you might have in your living room. You know that when the Japanese industry gets involved in something, they do it right. Called Gazopa, it is also a similar image search engine ( or a SISE, as we say in the connected world) with a few pluses. It has a browser plug in that allows you to search outside of their site. You can upload or draw the images you are looking for. and finally, it has a ” stream of consciousnesses” features that continue to search for similars of your similars as long as you want it to. Called “Flow”, it is more a gadget than very useful, but still interesting. Still in Beta, this service seems fully geared to the public and not to the photo industry.

gazopa

Similar searches are still the exception rather than the rule in photo agencies search. No data has been made public on whether it is being used by image buyers  at all. But with all these publicly accessible image search engine using it, it will soon become another tool people will expect. It has the huge benefit on not relying on keywords anymore (those nasty little keywords) and is a more “natural” way to search for images. As usual, the photo industry is lagging way behind. Furthermore, none of these public search engine seem to index existing image database, making the professional offering invisible to casual buyers. The photo  agency industry stubbornness to keep their assets behind closely protected close doors is all to the advantage of Microstock platform who thrive on them. While each traditional agency is busy trying to enhance their local, in house, propritery search engine, they forget that less and less image buyers will come to their website but rather look for global search engines. And thus, they will loose on many sales to come.

In between the lines

I will never understand the publishers stubbornness in designing magazine online. They literally replicate their print edition. Not just the content, but the layout. You have a cover/front page. You have sections, you have pages and along all that, a lot and lot of text .

Scrolling, for example, is much easier online. No need to change pages when all you have to do is scroll down. Why fix a limit on how far down you can scroll, when the majority of us have a wheel and can read down for ever?

One reason is that making you change page forces the page to reload, thus displaying new ads. Good for the publisher, not for the reader.

And what is it with this obscene amount of text? Since the launch of Netscape, back in the early 90’s, the web can easily display images, yet all publication use much more text than visuals. Yet the cost is practically the same.

One would have thought that, by now, all the news could have been delivered in a multimedia format. Instead of the linear print magazine format, the web offers video, sound, graphics and of course, photography, to give the readers a more three diminutional vision of a story.

Yet few, if none, use this ability. Its like driving a ferrari at 20 MPH all the time.

Magazine publishers, as we all know, are extremely resistant to change. If anything, they will do more of the same and copy their competition before they will innovate. They mostly believe that their content is so special, it cannot be brought down by the packaging.  They should think again.

With the coming of age of the internet generation, those who grew up in the 90’s and are about to hit college, this will change fast. Right now they are busy absorbing. Absorbing Youtube, Facebook, EW online, myspace. They currently take what is being offered to them. As somewhat passive consumers. But when they hit the work force and take charge, they will certainly create a new medium and certainly affect it deeply.

Online magazine will be more web friendly, mixing text, video, voice over, photography to deliver the story. Navigation will no longer be up and down, left to right.

Interfaces will more like the one use by Brightqube who sadly currently only uses it for delivering  RF images. You will be able to slide your way through a publication that will all reside on one page. Companies like MediaStorm will be able to produce more interactive multimedia, where one would be more involved in its unfolding instead of being a passive listener.  For example, on a report on the Iraq war, one could decide between the short or long version, the unrated or family friendly version, wether to read or listen. And much, much  more.

Magazine sites currently look like scanned magazines. TV sites, look like small tv sets. News site, depending on who produced it, look like their parent. Obviously they want to maintain their brand, and they will. But like microstock to the commercial stock world, they are leaving the door wide open for someone else to steal their readership.

And they will.

Think outside the browser

It has been a while since I have wanted to write about a great plug in for Firefox hardly known in the photo industry. It has a lot of advantages and no defaults. For one, it is free, two, it can be installed on any image library, three, it is incredibly helpful. One can quickly and nicely browse through a lot of image, increase the interesting ones and download the best.

Zymmetrical.com is the first and only agency to currently test it live on its site and starting to get user feedback. You can see a screen shot here:

Zymmetrical on Piclens

They have also added a link on their website where one can test it.

This a great example of a company leveraging technology for what it can bring to the user experience.

The Piclens plug in has been around for quite a while and works with Google Images, for example. It has gotten great reviews by everyone that has approached it. It is cross platform, easy and simple to install and to use. It is an incredibly useful tool for the image industry .

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